Jane biography
Playing a melodious synthesis of symphonic hard rock that has occcasionally been compared to Pink Floyd, Hanover Krautrockers Jane can trace their origins back to the late sixties psychedelic band Justice Of Peace. Releasing a single Save Me/War, the band featured future Jane members Peter Panka on vocals, Klaus Hess on BASS and Werner Nadolny on saxophone. By late 1970 Justice Of Peace had dissolved and regrouped as Jane with Panka on vocals and drums, Hess switching to GUITAR and Nadolny assuming keyboards. Charly Maucher joined on bass and power vocalist Berndt Pulst completed the band in April 1971 and their first LP "Together" was released in the spring of 1972. Singing in broken English, which helped create passionate effects, a heavy expressive bluesy sound emerged with blistering Les Paul solos and slabs of Hammond organ backdrops that was consolidated by Peter Panka's almost hypnotic oscillating drum beats that would charcterize Jane's music for almost 40 years. "Together" was warmly recieved by the German music press including Sound magazine who had declared Pulst it's vocalist of the year for 1971.

The first of an almost continual succesion of lineup changes occurred later that year with Pulst departing and Maucher bowing out for health reasons. Former Justice Of Peace guitarist Wolfgang Krantz joined on bass and guitar with Panka and Hess sharing the vocals which displayed even more lethargic and stoned out sonic timbres. Applying their proven formula, their 1973 follow up "Here We Are" was somewhat more harmonious with the the addition of synthesizers that provided spacier atmospheres and produced a fan favourite in the form of the sombre rock ballad "Out In The Rain" . SHORTLY after the album's release Nadolny left to form a new band Lady with the recovered Maucher returning on bass and vocals. Jane's third endeavour, simply entitled Jane III, was a scorching guitar blowout and with Krantz on second guitar. The void left by departing keyboardist Nadolny was adequately compensated for with two dueling guitarists as demonstrated by an impressive in-studio jam entitled " Jane Session" as well as a spaced out extended track "Comin' Again" featuring Maucher's harder edged vocals. Not long after the release of Jane III, Maucher and Krantz departed, eventually forming Harlis on the fledgling Sky Records label. In May 1974 Jane rejuevenated itself by absorbing two members from the recently disbanded hard rock band Dull Knife with Martin Hesse on bass and Gottfreid Janko on vocals and keyboards. The slightly more upbeat Lady album was recorded by this lineup in early 1975 during which time Matthias Jabs of Scorpions fame would also join them for a breif period for some live performances.

Keyboardist Werner Nadolny returned in 1976 for Jane's expansive 33 minute symphonic progressive rock masterpiece " Fire, Water Earth & Air". Featuring Layers of Hammonds, Moogs, mellotrons and synths, it was unquestionably Jane at their creative zenith and the Jane album that would hold the most appeal for progheads. Nadolny would split once again after the completion of "Fire, Water, Earth & Air" and was appropriately replaced by Eloy keyboardist Martin Weiczorke for an extensive tour that spawned another coup de grace for JANE resulting in the stunning " Live At Home" double live LP replete with a cover of a Martian landscape snapped by the Viking Mars lander. Released in early 1977 and broadcast nationally in it's entirety in on WDR Radio in January of that year, "Live At Home" went gold in their native Germany and helped them break the international markets in both North America as well as Japan and South America.

Containing somewhat darker conceptual atmospheres, their 7th studio album "Between Heaven & Hell" once again followed progrock pardigms. Mixed reactions within the German music press did not prevent the album from being embraced by fans that was at times similar to Pink Floyd's capacious stylings. By this time Jane had become one of the top draws in the German music scene as well as attracting followings in Switzerland and Austria even though they continued to sing in English. Recorded in the band's personal 24 track studio, 1978's Age of Madness rocked it out a little harder maintaining emotional spacey timbres and was released internationally, being presented in clear and red vinyl formats on the now defunct Canadian label Bomb Records. A successful European tour ensued but Weiczorke departed in early 1979. Jane's following album "Sign No. 9" was a near disaster with Jane being reduced to a trio forcing Hess to double on keyboards and the album inevitably had a guitar dominated sound which was devoid of the spacious moods created by lush keyboards on earlier Jane recordings. Signs of creative burnout cast some doubts not only in the minds of fans but within the band themselves.

A new direction was taken in the 1980s on a self-titled album that is sometimes referred to as "Mask" by afficiados. It incorporated new wave, punk and jazzy elements in straight rock configurations and introduced a new vocalist/guitarist/keyboardist, Yugoslavian eccentric Predrag Jonanovic or "Pedja". Vocals were never Jane's forté and Pedja's energetic deliveries gave them a fresh sound but unfortunately it was his only appearance with the band and he returned to his native Yugoslavia to form the synth-pop group D'Boys. Bassman Charly Maucher returned to the fold for 1982's "Germania" and although it contained some more experiments including a reggae excursion on the track "Get Back To You" Jane remained, for the most part, a straight hard rock band and included a reworked version of "Twighlight" from their "Between Heaven & Hell" album entitled "Southern Line" that even ventured into heavy metal territory. Internal disagreements between founding members Peter Panka and Klaus Hess resulted in Hess' departure in 1982. He would subsequently release a solo album "Stementanz" in 1983 that would recall earlier Jane stylings.

Meanwhile, after collaborating on the musical production on the German rock Opera "Warlock" with other former members of Jane, Peter Panka reformed Jane as a touring band under the moniker Lady Jane in 1984 with various musicians. Unfortunately a coherent unit failed to materialize for the remainder of the decade and only one pop-oriented album "Beautiful Lady" was released in 1986 with no real connection to past glories. Two live albums were also released in 1989 and 1990 with the former being limited to only 300 pressings and both featured Panka on drums/vocals, Nadolny on keyboards, Klaus Henatsch on bass & keyboards and Kai Rueter on guitar performing older Jane material.

In 1992 Hess and Panka attempted to reconcile and along with Nadolny on keyboards and with Jens Dettmer they embarked on a reunion tour that included 13 dates in New Zealand! But the reconciliation failed and Jane split into two factions with Hess calling his version Mother Jane while the Panka formation became unofficially known as Peter Panka's Jane as he retained the rights for the band name and logo. In `96 Peter Panka's Jane ( initially referred to as Pano's Jane) recorded the studio album " Resurrection" and introduced ex- Epitaph member Klaus Walz along with Kai Reuter ( formerly of Kasch ) on guitars with veteran Nadolny returning on keyboards and Mark Giebeler on bass. Meanwhile Hess' Mother Jane with younger musicians was also touring playing mostly Jane classics, releasing a single in 1998 and finally a suprisingly impressive live album "Comes Alive" in 2000 that reflected the heavier side of Jane.

A more cohesive attempt was made by Panka in 2002 to rekindle the classic Jane groove of the seventies with Klaus Walz joining original members Panka, Nadolny and Maucher. A new album " Genuine"( that also contained some live tracks from the failed `92 reunion ) materialized and was followed by a tour which saw the band performing the new material but focused on renditions of old classics. A live album, "Live 2002", documented the shows and although not possessing the impact of 1976's "Live at Home", it was a definite indication of Jane's return to the limelight attracting both old and new fans. Not content to tour soley as a retro-Jane band, two more studio albums were released in 2003 ( Shine On ) and 2007 ( Voices) that burned on in the classic Jane tradition.

Tragically, founding member Peter Panka passed away as result of cancer in June 2007 which put the band on hold. However, in compliance with Panka's wishes original member Charly Maucher took over as leader and another studio album "Traces" was released in 2009 with the current lineup of Charly Maucher on lead vocals/bass, Klaus Waltz guitar/vocals, Arndt Shulz guitar vocals and Fritz Randow ( ex Eloy & Saxon ) on drums plus Werner Nadolny on keyboards. Although Werner Nadolny has since left the band, he currently tours with his own Jane tribute band performing vintage Jane material. Klaus Hess' Mother Jane also remains active with a recently released 2009 album titled " In Dreams".

Along with other bands such as Amon Duul II, Grobschnitt and Guru Guru, Jane continues to bear the torch of the early seventies Krautrock phenomenom and continues on in that spirit to this day in three different guises led by original members.

Why this band should be included in Progarchives :
legendary German band that combined symphonic elements with blues based hard rock to create a distinct groovy sound that has endured for 40 years.

Biography by Ian Gledhill ("vibrationbaby") January 2010



The history of one of Germany's most successful bands of the 1970's was shaped by numerous changes in the line-up, a willingness to take stylistic risks, and an attitude towards their work that was characterised by honesty and professionalism. The naked figures read like this - twelve albums with total sales exceeding two million and an average of 150 concerts each year, each of them usually sold out.
Musically speaking, Jane were never a band to do the expected, but they still had some recognisable trademarks. Breathtaking guitar solos, powerful keyboards, polished and mighty arrangements and an almost constantly dragging tempo added up to the typical Jane touch and were characteristic for a melodic hard rock that had no equal in Germany.

Jane were formed in October of 1970 in Hanover out of the remains of the band Justice Of Peace. Klaus Hess (g), Peter Panka (dr) and Werner Nadolny (org) were looking for a new challenge and got together with Charly Maucher (b). In the Spring of 1971, they were joined by Bernd Pulst, a singer with a powerful voice. Shortly after that, the quintet signed a long-term record contract. After almost one year of work, Jane's debut album "Together" was released in the spring of 1972. The German rock world reacted positively to the technically well-versed newcomers and their "unvarnished style of making music" (Sounds).




For the second LP, Wolfgang Krantz had to fill in for Maucher, who was sick, and Panka took the place of Bernd Pulst as lead singer. The initial success and their convincing live performances made Jane an attraction on the national touring scene. The band constantly commuted back and forth between stage and studio and absorbed numerous changes in the line-up effortlessly and without any quality loss.


In 1974, Nadolny left to form his own band, Lady, and Maucher returned to Jane. But his second stay with the band lasted for a little less than a year. He decided to form another band, Harlis, and was replaced in May 1974 by Martin Hesse, while Krantz left to be replaced by Gottfried Janko (keyboards, vocals).

Jane went through a maturing process and perfected their style, which had a certain tendency to mysticism and was by now well in demand all over Europe. For the 1975 album, "Fire, Water, Earth & Air", the band (Nadolny had returned to take over Janko's place) experimented with the dummy head recording technique. Established music magazines like Record World compared their complicated song structures to those of bands like Pink Floyd. The national music press found it harder to warm up to the ambitious band from Lower Saxony and overlooked the impressive echo from the music press abroad, very good sales figures and filled concert venues.


When Jane started a sixty-concert tour through Germany in March 1976, Manfred Wieczorke from Eloy stood in for Nadolny and played the keyboards. The four musicians documented this phase of their career with a double album called "Live". In the first weeks after its release, "Live" sold more than 100,000 copies, making them the best-selling German rock act of their time after Udo Lindenberg and Kraftwerk.

Threatening musical images and "guitar riffs played Black Sabbath-style" (Musik Express) dominated the 1977 album "Between Heaven and Hell". By that time, Jane no longer needed to fear comparisons with the international competition. In Switzerland, they even outsold Pink Floyd for a while and reactions from the US were positive as well.


1978 saw the release of "Age of Madness" following a new, better paid record deal, a sellout tour through twenty cities plus a number of appearances on TV. Jane stayed true to their ponderous, romantic rock. The eighth album was the first to be recorded in the band's own 24-track studio situated in an idyllic half-timbered house in the village of Sarstedt, 30 kilometres south of Hanover. Jane's top-form performance seemed to stem from their new independence and new-found motivation and inspiration.

By Spring 1979, Wieczorke had left Jane. The three remaining band members recorded "Jane No.9", their weakest album, as they themselves readily admit, and a piece of work that caused a lot of public speculation about the future of the band. The band retreated to the island of Ibiza where they met their new singer Pedja. On their 1980 album "Jane" they performed with new-found energy. They started the new decade in a harder, more rock and vocal oriented manner, but they were unable to repeat the successes of previous years. One reason was that the competition back home had caught up with them. Klaus Hess confessed: "I feel very burnt out music-wise."

Martin Hesse concentrated on his side project Rizzo in 1981, and Pedja returned to Ibiza. During the autumn tour, English bass player Ted Jones helped out until Charly Maucher returned for the recording sessions for "Germania". "Germania" was the provisional final chapter in the history of Jane, whose reputation as pioneers of an individual and confident German rock music scene is still undisputed.


In 1983 ex-Jane members Maucher, Nadolny and Panka met again for the production of the rock ballet "Warlock". Afterwards they were joined by Detlef Klamann (sax) and went on a club tour as Lady Jane. Together with Kalus Hanatsch (key) from Jutta Weinhold's band and former Viva member Kai Reuter, Panka and Nadolny re-launched Jane in 1986 for the album "Beautiful Lady". The latest attempt to revive the successes of old came in 1993 with Nadolny, Panka and Hess's new release of past Jane triumphs.